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It has since become one of his principal activities, leading him to independently produce a number of single channel video tapes and installations, some in collaboration with his friend Catherine Bolduc.

As from , film is her medium. The work she has been developing ever since is shown worldwide in museums and art spaces, theatres, the public space and especially the cinema.

Gleichzeitig fungiert das Gesicht aber auch als Erkennungsmarker - meist reichen kleine Details aus, um das Subjekt, den Träger oder die Trägerin, zu identifizieren.

Pareidolia von Maria Petschnig folgt diesen Gedanken allerdings nur, um diese neu zu mischen und zu verschieben. Mit ihrer Titelwahl bezieht sie sich auf ein psychologisches Phänomen, über einen vagen Eindruck ein signifikantes Bild zu formen.

In der Alltagswahrnehmung zählt dazu u. Dietmar Schwärzler In film, the face rather than the body, is usually where an occurring emotion is revealed.

At the same time the face also acts as identification - small, distinctive features suffice to identify the subject, or wearer.

For her new video Maria Petschnig uses these concepts, but only to shuffle and rearrange them. Common examples of pareidolia include images of figures in clouds, subliminal messages on records played in reverse, or perceptions of religious figures in ordinary phenomenon.

Sarah und Yumi sind streng geheime Sexsklavinnen für einen hochrangigen Regierungsbeamten. Yumi, die am längsten in der Zelle gelebt hat, ist fast völlig der Gehirnwäsche unterzogen und gelähmt.

Sarah jedoch hat noch genug Mumm in sich, um die Flucht zu versuchen. Wird Sarahs innerer Mut ausreichen, um die Situation zu retten?

Sarah and Yumi are top-secret sex slaves for a highranking government official. Yumi having lived in the cell the longest, is almost completely brainwashed and paralyzed, but Sarah still possesses enough spunk to try to escape.

Her impulsive scheme is thwarted by a few terrifying obstacles Maria Petschnig studied painting at the Academy of Fine Arts, Vienna, the Royal College of Art, London and at the Wimbledon School of Art, London.

Based in Brooklyn, New York since He has won numerous international awards and received national recognition for technical and artistic achievement.

This channel is a forward motion in our efforts to create, seek out and spread interstitial work that challenges existing formats, structures, genres and techniques.

Ist es nicht absurd, dass der Tod ein Konsument ist, der keine Rücksicht auf das ökologische Gleichgewicht, die Verteilung von Reichtum und die Umweltverschmutzung nimmt?

Fliegender Blumenkohl, Kühe am Trapez, Piruetten mit Sombrero — ist das nicht absurd? Ist es nicht absurd, dass sich der Tod in den menschlichen Fehlern spiegelt?

Leute, Leute, was ist das? Absurditäten, in einer absurden Welt. It isn't absurd that the death being consumer without taking care of the ecological balance, the distribution of the richness and the pollution?

Humans, humans, what is that? Absurds, in an absurd world. Daniel Rodrigo completed a HNC Fine Arts at Bristol Shool of Art in after his licence in Publicity in Madrid in His work has been shown in group and solo ehibitions in Madrid, London, Bristol and Leipzig.

I work with video and photographic media, layering sound and imagery to manipulate and redefine standard expectations and norms of the human experience.

Striving towards something other than normal interpretation. Atlas and the renewed energy. Eine junge Frau kämpft um ihre sexuelle Freiheit in dieser schwarzen Komödie, die durch die Neue Europäische Welle der er inspiriert wurde.

A young Woman struggles for sexual freedom in this dark comedy inspired by the European New Wave of the s. Unter anderem spielen zwei Katzen, ein paar Hunde, ein Wiesel, ein kleiner Bär und ein Ara die Hauptrollen.

Mit einem Remix von Gloria Swanson, Angela Davis und Marina Abramovic auf dem Soundtrack. Experimentalfilme auf Handy gedreht. Starring among others, two cats, a couple of dog, a weasel, a baby bear, a macaw and more.

With a remix of Gloria Swanson, Angela Davis and Marina Abramovic on the soundtrack. Experimental cell-phone made film.

Werther Germondari: Filmaker and Visual Artist. Graduated in Institutions of Directing from the University of Bologna and at the Centro Sperimentale di Cinematografia of Rome.

Interested in innovative experimental dynamics that are neoconceptual and situational, characterized by a taste for the ironic and surreal.

In he co-founded Dirty Little Shorts and has produced and directed several award winning short films. She grew up in Rio de Janeiro and studied psychology and film studies at the Sorbonne in Paris.

She lives in Paris and New York and works as a filmmaker and distributor and as a programmer for the Jerusalem Film Festival.

Bei japanischen Comicfiguren kommt dies besonders deutlich zum Ausdruck. Das Phänomen, das im japanischen Kawaii genannt wird umfasst Charaktere für alle Lebenslagen.

Freundliche Helfer die einem sagen wie man eine Fahrkarte löst, zum Mülltrennen auffordern oder in animierten Videos Kindern erklären wie man z.

Denn wer kann uns Fristenlösung, Sterbehilfe, Pensionsproblematik und die Niederungen des sozialen Zusammenlebens besser näher bringen als Kulleraugen, Pastelltöne und Kindchenschema.

Actually a video I'm not so sure about. But here these cute little critters go a step further and tell about things which are normally sort of a taboo in society.

And as these pledorable little figures find out for what hideous facts they stand for they simply start crying. Cause they want to be good, but life simply isn't always that way.

Kitty ist wütend. Clemens Kogler started studying classical painting and worked some time in an ad agency and for TV.

Finally decided to choose a career in film-making, for its job security and pension benefits. Kogler starts with static images and trys to find a path of motion through these.

In some cases whole films consists of only one picture. With her work as comic-illustrator and diverse jobs in the workshops of filmproductions and theaters, she discovered film as expression cobining all her interests.

Since end film-studies with Prof. Rotraut Pape. Befremdlicher Gang zwischen Betonblockhäusern und den eigenen Ängsten, Gefühlen, wenn die Sonne untergeht.

Eine experimentelle 2D animierte Collage aus realistischen Bildteilen bis hin zum abstrakten Lichtspiel. Subjective vision of human feelings.

Strange walk between concrete blockhouses and one's own fears, emotions, when the sun is going down. Experimental, 2D animated collage, ranging from realistic pieces of pictures to the abstract play of lights.

Dropping Furniture zeigt die Zerstörung eines Lebensraumes. Der Film ist konzipiert als symbolisches Bild für den Verlust einer Existenz.

Was bleibt, wenn nichts mehr bleibt und das Leben buchstäblich auf den Kopf gestellt wird? Dropping Furniture fixiert zunächst zwei leere Zimmer. Leise, kaum wahrnehmbare Sounds erzeugen subtilen Suspense.

Nach einigen Sekunden, wenn wir uns fast schon an die existenziell anmutende Leere der scheinbar verlassenen Behausung gewöhnt haben, fallen von oberhalb des Bildrands in Slow Motion zwei Einrichtungsgegenstände in das hintere Zimmer.

Thomas Edlinger Dropping Furniture displays the destruction of a habitat. The film is meant to symbolize the loss of existence. What remains when nothing more remains and life is literally turned upside down?

Dropping Furniture begins by focusing on two empty rooms. Soft, barely audible sounds generate a subtle suspense.

After a few seconds, when we have almost become accustomed to the seemingly existential emptiness of the apparently abandoned dwelling, two pieces of furniture fall from above the image frame, in slow motion into the back room.

A chandelier follows, falling to the floor in the large front room, shattering as a start signal for a choreography of destruction structured by two fixed camera takes.

Graduated in from the Academy of Fine Arts in Cracow at the Faculty of Graphic. He works as an independent animation filmmaker, graphic artist and cooperates as freelance graphic designer and illustrator with ad- and press-agencies.

Works as video-artist and on computer based animation. Cooperation with Paul Horn since many years. Their films have been shown in numerous international exhibitions and festivals.

Dance video with an unhealthy person. Dieses ist ein Video für den Unmusikalischen. Selbsthilfe-Anweisungen im Off-Ton sind mit farbenfrohen, animierten Bilder überlagert, um eine chemisch veränderte Meditationsübung zu kreieren.

Psychedelische Exkurse treffen auf Selbsthilfedauerwerbesendungen in dieser dunklen Meditation über die verführerischen Niederlagen der zeitgenössischen Bilderzeugungsprozesse.

This is video for the tone deaf. Self-help instructional voice-over is overlaid with colorful, animated imagery to create a chemically altered, meditation exercise.

Pop-psychology and therapy discourse welcomes its own dissipation as it breaks down into a reverie of symbolic detritus and sugar-coated banality.

Psychedelic excursions meet self-help infomercials in this dark meditation on the seductive failures of contemporary image making processes.

Martin Sulzer. Since Study of Film- und Television directing at the filmacademy HFF-Potsdam. Film-selection: Let's push things forward, Muvi Award, Oberhausen ' Ellenberg's films and videos have been shown widely, in such venues as The N.

Die Arbeit ist ein Kommentar zum aktuellen Mediengeschehen und reduziert es auf Form, Oberfläche und Funktion im eigenen Sinne.

The work is a commentary on current media events, reducing them to form, surface and function in their own sense.

Leuchtende Spuren erzielt durch die optische Manipulation nächtlicher Bilder. Statische und dynamische Lichtquellen wie z.

Die daraus auf der Leinwand entstehende Bewegung saugt das Auge des Zuschauers ein und enthüllt so das kinetische Potenzial des Experiments.

Chicago film festival underground Luminous traces obtained through optical manipulation of nocturnal images. Static and dynamic light sources such as lampposts, street lights or moving cars are transformed into a spiraling flux of colors.

Since participation in exhibitions in Germany, England and Spain with his video art work. He began practicing cinema while graduating from engineering school in and went on to study Experimental Film at Concordia University from to His work explores, through extensive formal treatment of the film medium, fear and anxiety that stems from the search for identity.

In der Abenddämmerung wird das Fenster ein Tor zum Vortag. Ein einsames Wesen taucht auf, das durch die es umgebenden Elemente wie durch eine Maske verdeckt wird.

As darkness sets in, a window becomes a portal to the previous day. What appeared to be an opening to the outside slowly reveals itself to be a window into the past.

As the illusion breaks down, a tension emerges between surface and screen, inside and outside, past and present. A solitary being surfaces, masked by the elements that surround him.

Das erschafft eine Gleichzeitigkeit mit dem Allgemeingültigen: Wiederholungen verwischen den Sinn von Raum. Die Logik dieser Verschiebungen führt dazu, dass Dinge aus der Bahn geraten.

Kleine Häuser versinken und brennen. Möbel werden auf einem leeren Parkplatz zerstört. Ereignisse von kleinen Zerstörungen, pathetisch und vorübergehend erlösend.

Tedium breeds its own reverie repetitions, erode sense of place and make buildings seem less substantial.

Here becomes like there becomes like could be anywhere. This forms a coincidence with the generic: Repetitions erode sense of place and make buildings seem less substantial.

The logic of these displacements causes things to come adrift. Little houses sink and burn. Furniture smashes in an empty car park. Events of small destruction, pathetic and momentarily cathartic.

Nico Herbst lives in Southern California and NYC. His films show in galleries and museums as well as film festivals, winning several awards.

His works include: Seven Days 'til Sunday , Drowning Room and Burn Sugar HereAfter Sog and Fall Die Ereignisse werden etwas merkwürdig.

The tinwoodsman takes a holiday to the California poppy fields. Things get a bit strange. Der Film besteht aus acht Sequenzen mit je 12 Fotos.

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Marty Roberts. Steve Bartolotta. Pittsford Pub, 60 S. Tom Gravino. Tony Padilla. Tapas Lounge, St Paul St. Unplugged Dinner Music Series. John Bolger.

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Traditional Irish Music Session. Eastman at St. Going for Baroque Organ Recital. Memorial Art Gallery, University Ave.

Nazareth College-Wilmot Recital Hall, East Ave. Penfield Symphony Orchestra at Bella Vista. Casa Larga Vineyards, Turk Hill Rd, Fairport, NY. Publick Musick performs vocal and instrumental music of Isabella Leonarda.

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Paul St. Iced Chill. Tony Gianavola. See website for full festival schedule. Point Dr. Reggae Night. Teagan Ward. Harmony House, 58 E Main St.

Women in Music Festival Edgerton Community Center, 41 Backus St. See website for full line up. Scott Krier.

Shared Genes. The Chris Hollywood Pro-Am Jam. Tinted Image. Rabbit Room Restaurant, 61 N Main St, Honeoye Falls, NY.

Mark Arnold, Kinloch Nelson. Finger Lakes Community College-Honors House. El Rojo Jazz. Joe Galusha Trio. Presidents series, which he began in PHOTO PROVIDED.

Henrietta Road Monday-Thursday 11 a. But each piece is so bursting with poignant meanings that a viewer might spend hours considering the multiple socio-political associations through visual references the artist has placed within the works.

My creative process is based on satire, whether it is about the socio-political world we live in or my own personal history.

Understanding the real meaning of current and past events requires initiative and extensive research beyond what is reported by the corporate news and lazy, sell-out journalists, and artists are often a result of a person with visual skill and a nagging conscience taking up the task of truth-telling.

Even critics of the military-industrial complex and its current warmongering are hesitant to question our involvement in the horrors of WWII, because we have been so convinced of the apparent reasons that the United States became involved.

Many scenes split over wood panels compare and contrast elements of war preparation and detention camps on both sides of the war, as well as the interests of leaders of nations.

Rows of marching German soldiers are mirrored by hordes of KKK hoods and U. Concentration camps are paralleled by Japanese internment camps, and pin-up-esque nude women working at.

Crazed-looking Hitler, Stalin, and American leaders whisper to one another behind closed doors, cities burn, and bodies pile.

In the center of it all, the titular character rides a giant tank that funnels dollar signs into the Pentagon as he himself enjoys the spoils of human misery surrounding him.

By throwing a lot of raw, visual punches, humor is injected into an otherwise sick, sad world of idiocy. A healthy portion of the show focuses upon George W.

Bush, Dick Cheney, and their talking heads, depicting the latter as an evil-tothe-core corporate whore and the former as a grown-up spoiled child who sees the world as his toy room and his toilet, and who wallows in delusions that far too many of us share with him.

Perhaps the most startlingly truthful. Bailey and Sgt. Backed up against tall and prickly cactus plants, he has painted a giant target over himself, with the bullseye centered on his mouth, seeming to indicate that the opportunities he has as an artist and an educator to speak his mind make him a literal target.

Some truths about the world are surprisingly simple, but are complicated by money masters and their talking heads. Hartnett Gallery, University of Rochester, Wilson Commons.

WilliamsInsalaco Gallery 34 at FLCC, Marvin Sands Dr. Thu reception p. Image City Photography Gallery, University Ave.

Undergraduate Student Art Show Fri Mar Nazareth College Arts Center Gallery, East Ave. Coach Street Clay, 39 Coach Street, Canandaigua. Through Mar Beyond the Racks: Judy Gohringer.

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DEVINE Pres. LEE WM. BARRY Attorney. Selden Motor Vehicle Co. Banker, Caledonia, N. Monroe and Livingston Counties 25 Agricultural Statistics for Livingston County Population Number of all farms Color and nativity of farmers: Native white Foreign-born white Negro and other non-white Number of farms classified by size: Under 3 acres 3 to 9 acres 10 to 19 acres 20 to 49 acres.

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Farms reporting Amount expended. Spring lambs Value dollars Poultry and Bees Number of poultry of all kinds Value dollars Number of colonies of bees Value dollars 74 33, 19, 1,, 1, 1, 34 4,, 1,, 2, , , 1, , 21, 11, 10, , 30, 18, 12, , , , 2, 12, Farms Operated "by Owners Number of farms 4, Per cent of all farms Farms reporting 4, Amount expended,.

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You've got to walk through the raindrops, and that's what I'm trying to do. In the first episode of the second season of The Two Coreys , Haim confronted Feldman, saying he had been sexually abused at the age of 14 by one of Feldman's acquaintances.

On February 7, , Haim ran a paid advertisement in the Hollywood trade publication Variety with a full-page photo, stating: "This is not a stunt.

I'm back. I'm ready to work. I'm ready to make amends". In February , filming commenced in Vancouver for Lost Boys: The Tribe , a direct-to-DVD sequel featuring few of the original cast.

Feldman avowed that he would no longer speak to Haim until he got clean. After the fallout, Haim had a car accident while under the influence during filming, and walked out for good on the show's therapist.

Amid the duo's well-publicized estrangement came unconfirmed reports that Warner Bros. Fox , Carlo Rota and David Phillips. By late July , Haim had become destitute and homeless in Los Angeles.

They developed an idea for a reality show called Lost Boy Found , documenting Haim's addiction and recovery through music at Mac's studio, where he had been given a place to stay.

At one point, Mac stated that he thought Haim was going to die from withdrawal complications that day, but he had stabilized. He also reported that there were cameras in the room with them.

The show was not picked up. In , the actioner Crank: High Voltage was released, which saw Haim sporting a blonde mullet alongside Jason Statham , Amy Smart and Dwight Yoakam.

Haim completed two films scheduled for a release: the thriller American Sunset , in which he played a man who is abducted in the search for his missing wife, [84] and Decisions , shot in December , in which his character is a cop working with troubled kids.

On the advice of his lawyer, Haim went to a physician in California with the goal of sticking to a program to wean off pills without multiple doctors in order to demonstrate that he was working toward getting clean.

I think it was five days prior to when Corey passed. Haim was attached to several films scheduled to go into production in He requested a "clean set" from producers to reduce temptation, [85] although his fellow cast members commented on his hyperactivity and need for attention.

Before his death, Haim had reconciled with Feldman off-camera. Haim never married nor had any children.

He was involved with Who's the Boss actress Alyssa Milano from to Lala Sloatman co-starred with Haim in Watchers and Dream a Little Dream , and they dated on and off for two years at the peak of his fame.

She stated that she was not aware of his problems with drugs at the time, remembering the revelation as her "first major heartbreak.

Haim was engaged to Baywatch actress Nicole Eggert , with whom he starred in Blown Away and Just One of the Girls Eggert is credited with helping to save Haim's life at least once by taking him to hospital to detox during a "narcotic rush".

I don't think that I saved his life, I just think that I was there for him". Haim was briefly engaged to actress Holly Fields in Haim was engaged to model Cindy Guyer in Haim had a year-long relationship with actress Tiffany Shepis , stating in October that the couple were engaged and due to marry on May 9, He's a charming kid with a lot of issues.

In an episode during the second season of The Two Coreys , Haim confessed to Feldman that he had been sexually abused at the age of 14 by one of Feldman's acquaintances.

In , after Haim's death, Feldman stated that a "Hollywood mogul" who abused Haim was to blame for his death. Feldman stated that during the filming of Lucas , Haim "allowed himself to be sodomized" [97] and "had been tricked into engaging in a painful session of anal sex by a man on the movie set.

The man told Haim that sex between men and boys was normal in Hollywood, saying that 'all the guys in the entertainment world do it.

Feldman said that he turned Haim down, explaining that was not 'just what guys do' and that children should not be having those kinds of interactions with adults".

In , Judy Haim threatened to sue Feldman. Haim claimed that many of his statements were lies and added that Feldman was looking for attention and money.

Judy Haim said: "He's been talking about revealing the names of his and other abusers for seven years since my son died.

Come on. It's a long con. He's a scam artist. If he was serious about this, he'd share the information he has with the police And if these people really are out there, and potentially [still] a danger, why wouldn't he want to name them right now?

In a interview from the National Enquirer , actor Dominick Brascia alleged that Charlie Sheen was the person who had raped Haim on the set of Lucas.

Sheen was 19 at the time, while Haim was Sheen denied these allegations and filed a lawsuit against the National Enquirer that was settled in Oz Show , Judy Haim denied that Charlie Sheen was sexually involved with her son and accused Brascia of having sexually abused him.

She said, "You know how I know that? Because my son said so. He said so on The Two Coreys ".

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